Category: moral uncertainty

All the Critics Love U in New York

If there’s any celebrity you can be sure you did not know in any significantly real way, it was Prince. Shape shifter, name shifter/eraser, master of every style you can name. Intensely private and essentially flamboyant. Exhibitionist. Hermit. You don’t know him except in the ways you think you do, and that has as much to do with what you wanted him to be as it does with which little pieces of mythologizing he wanted you to see at any given time. Like the classic Trickster of legend, he could present multiple faces at the same time, and the face you got to glimpse, briefly, depended on which side of the road you were standing on. If Prince had been around then, Kurosawa could have made this pint-sized product of Minni-freaking-sota the centerpiece of Rashomon. That would have been cool. read more

Jobz Are Us: The Ethical Dilemmata of the Humble Scrivener

Toiling away here in the bloggy vineyard, Your Narrator finds himself in near-constant search of gainful, remunerative scribbling. Oh sure, regaling the tens of loyal i2b followers with insight, pith1Yeth. Pith., and tres bon mots in return for your undying adulation is all the reward an inky wretch could hope for. But the family has this annoying tendency to, you know, eat, so I expose my tender talents to the cruel world in hopes that someone will toss a few shekls my way.2That Donate button over to the right has not brought the expected riches, needless to say. 3The mere mention of which – the Donate button, that is – is of course, a classic example of shameless whoring, one which allows the reader a choice between casting judgement on Your Narrator or of empathizing with his plight. 4And, also too, this mentioning – re: the judgement v. empathy conflict – potentially instantiates a frisson of guilt in the freeloading reader, which pointing out represents a further, and perhaps more pathetic, instance of Narratory whoring. read more

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Infinite Quest

Sept 12 – David Foster Wallace died 7 years ago today. Maybe died isn’t the right word, though it’s at least partly true. He killed himself; took his own life. This fact still makes me sad and angry and scared all at once.

The best way to counter these feelings is to read some of his work.1If for no other reason than that his work is the only part of him that we have any legitimate claim to. Angry at the guy? Shit. I owe him. His essay from the January, 1996, issue of Harper’s, which became the title piece from his collection A Supposedly Fun Thing I’ll Never Do Again, is the single funniest and most “readable”2Readable here connoting ‘something not too weird or difficult’. In fact, everything I’ve read by DFW – which is pretty much everything that’s been published plus a glimpse of a few of his notebooks at the Whitney Biennial – is terrifically readable and worth every second it takes to look up unusual words, refer to yet another footnote, or just to re-read certain sentences over and over because they are just too wonderful to take in at once. piece in his entire output. I’ve just finished it for the eleventieth time and it’s got me hungry for more.  E Unibus Pluram: Television and U.S. Fiction” is up next,and it’s sort of an essential piece for anyone interested in culture and the challenge of retaining our humanity amidst a dazzling array of shiny objects. read more

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Oh for the love of….

Well here we are again, a gaggle of bible thumpers declaring victimhood because a book threatens the very ground of their beliefs.

It’s bad enough when a parent helicopters into a school to protect his little precious from bad words and strange ideas. But now we have college students sheltering themselves from the horror of a broad education. Assigned a graphic novel1In my day, we called them comic books, and we liked it. for summer reading, freshman enrollee Brian Grasso, Duke University Class of ’19, took a look at Alison Bechdel’s Fun Home and declared that he would not read it because of the book’s “graphic visual depictions of sexuality”. read more

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