Forgive me readers, for I have sinned.
The primary directive for bloggers who wish to be well attended: Keep your content fresh. Post frequently so that your legions of followers know they will always find something new every time they check your page.
In this, I have failed. Mea maxim culpa.
But I’m back, better than ever, so fatten up a calf for me and gather round to hear my plans.
First off, you may ask yourself: How can I (the reader) trust this bounder (your inconsistent correspondent) to keep up his end of the bargain, to toil diligently so that I (the reader) might enjoy high quality distractment at my (the reader’s) beck and call. Because instant gratification is the coin of the realm, evidently.
Hey, just trust me, okay?
Besides, there is so much more that I want to write about that nobody wants to pay me to write about that I might as well just start typing and putting it up here for free.
I’m working on a site re-design, because four years is plenty for the same look. But that’s just cosmetics. Expect a great deal more of the music/lit/tv/film content, starting with the annual wall-to-wall cogitations about the 2019 Big Ears Festival. The scope of this year’s festival is making me dizzy. It is not just the challenge of navigating performance schedules1Saturday afternoon’s lineup in particular is a fantod-inducing embarrassment of riches, thanks very much. that trigger my most extreme option anxiety. Even the (allegedly) simple task of sorting and categorizing the proceedings – something any decent music writer has to be able to do – is an exercise in recursive Venn diagramming and cross-category perplexity that would make a lesser writer quail, if you could find one.
So get ready for some flailing attempts at exegesis and grand-scheme syncretism. I’ll get my head around this thing or collapse trying. From the 50th anniversaries of ECM records and the Art Ensemble of Chicago to the brand new ballet (yep) from Rhinnon Giddens, this festival has got my blood all het up. Don’t even get me started on the guitarists on tap.
The blog will also pay more attention to the cultural highlights here in Tallahassee. It still isn’t quite NYC, but significant things are happening here and there is a real scarcity of arts coverage in this town. I’ve noticed several significant events come and go lately with scarce a word of notice, to the point where we only find out about some of these happenings after the fact. I will do what I can to fill the gaps.
The April calendar is chock a block with world-class creative work. It also happens to be Tallahassee’s most lovely time of year: temperate climate, azaleas in bloom, and enough pollen to stun an elephant. Get your travel plans ready.
The Tallahassee Film Festival brings an expanded scope of activity April 5-7. On top of smartly curated films, there will be a Saturday night shindig at The Wilbury featuring Baltimore-based electronics wizard and DJ Dan Deacon, described as “notorious for his wild and spontaneous live shows that meld the vibe of a performance-art happening with his free-thinking permutations on decades of avant-garde music lineage.” More details on this cool fest as the schedule firms up, but it promises to be a big treat.
The weekend of April 12-14, our annual Word of South Festival is gonna be terrific (lineup is under press embargo for now, but trust me…LIT!). Aside from a ticketed concert on Friday night, everything is free. The fest sprawls across Cascades Park in everything from small tents to bigger tents to huge tents to the mainstage amphitheater. Once again, the crew at The Bitter Southerner is programming their own stage for the weekend. They were so well attended last year that they have been moved to the large stage adjacent to The Edison. It’s a smart move. More details on WoS here when the schedule is released.
(I also have a WoS feature landing in Tallahassee Magazine first week of March and a review of last year’s hoolie here on the blog.)
Piling on. Saturday, April 13 – smack dab in the middle of Word of South, finds the sonic blasts of the Nels Cline / Larry Ochs / Gerald Cleaver trio at 5th and Thomas.25&T is establishing itself as a first rank room for listening to good music. Primarily a venue for touring Outlaw Country and roots rock bands, this booking happened almost by accident, but let’s just genuflect for a moment at good fortune and get our assess out to fill the joint for this one so we can convince management to bring more in this vein. Cline is one of the most active and influential guitarists on the scene, or rather, on many scenes, maybe even every scene. Best known as the guitarist for arena rockers Wilco, Cline’s curiosity ranges across every style you can imagine and his trickery with electronics and sheer souuuuuund will leave you wondering how/what the hell happened. On this gig, you get to see him up close. I pity the fool who misses this. And I pity lovers of creative music in Tallahassee if we don’t fill the room for this one.
Larry Ochs, one of the founders of the Rova Saxophone Quartet, is a beast on tenor and soprano, a thoughtful composer and arranger, and restless seeker of high grade collaborators like Anthony Braxton, Kronos Quartet, John Zorn, and Sam Rivers. Drummer Gerald Cleaver is a veteran of the jazz and free jazz world, often heard alongside creative giants like Roscoe Mitchell, Henry Threadgill, and Craig Tabor. People, this is a true creative music supergroup. You can listen to and order their first recording, released last month, at the Clean Feed website. 3You will be hearing a lot more about Clean Feed here in the coming months, too. It is an insanely prolific and high-quality record label based in Lisbon. Yowsa. Recommended track: “Shimmer Intend Spark Groove Defend.”
What else can I offer to regain your trust and traffic? How about thoughts on the use of moral philosophy as a plot platform in (ostensibly, perhaps) funny television programs? Or maybe the intersection of racial discrimination, education policy, banking practices, and criminal justice reform? Maybe you just want the occasional reading recommendation, or maybe just a recipe for a good soup.
I am not running away from the political, but damn if anything I write about the ongoing atrocities does not seem outdated by new atrocities before I can even hit publish. But campaign season is nigh upon us, a full year before the first caucus or primary, so I’m sure I will find a way to make myself look foolish soon enough.
As always, I love hearing from readers. Complaints, outrage, fawning praise, whatever. Seriously, there’s no money in this here bloggy vineyard, so let me know you are out there.
Unless you aren’t. In that case, carry on.
References [ + ]
|1.||↑||Saturday afternoon’s lineup in particular is a fantod-inducing embarrassment of riches, thanks very much.|
|2.||↑||5&T is establishing itself as a first rank room for listening to good music. Primarily a venue for touring Outlaw Country and roots rock bands, this booking happened almost by accident, but let’s just genuflect for a moment at good fortune and get our assess out to fill the joint for this one so we can convince management to bring more in this vein.|
|3.||↑||You will be hearing a lot more about Clean Feed here in the coming months, too. It is an insanely prolific and high-quality record label based in Lisbon. Yowsa.|